The Way forward for the Previous: When Cultural Heritage Meets Local weather Change Thijs Weststeijn Polity (2026)
In 2019, unprecedented flooding in Venice submerged greater than 80% of the historic metropolis, prompting Italy to declare a state of emergency. That very same yr — and in 2025 — wildfires in California burned 1000’s of hectares of land. The flames got here dangerously near the Getty Villa, a museum in Los Angeles that homes one of many world’s most necessary collections of historical Greek and Roman artwork.
These incidents illustrate a troubling actuality: cultural heritage websites, as soon as seen as enduring fixtures of human achievement, are more and more weak to climate-driven disasters. The concept that humanity’s best accomplishments at the moment are threatened by our personal failures is a theme that runs by way of artwork historian Thijs Weststeijn’s newest guide. The Way forward for the Previous provides a well timed and accessible introduction to the rising rigidity between heritage preservation and a quickly altering local weather.
Sustainability or dystopia? What previous patterns inform us about the place society is heading
Weststeijn lays out the dimensions of the problem by inspecting cultural and historic websites around the globe which might be more and more uncovered to local weather pressures, starting from thawing permafrost to rising sea ranges. One putting instance is the Moai, the monumental stone figures of Rapa Nui (also called Easter Island), lots of which stand alongside the coast and are threatened by erosion and encroaching waters. Extra broadly, Weststeijn highlights a recurring paradox. Societies that when trusted the ocean for mobility, commerce and cultural change — reminiscent of these on the Swahili coast in East Africa — now discover their heritage websites undermined by rising oceans and coastal instability. The very environments that enabled these cultures to flourish have gotten sources of threat.
Origins of UNESCO
Alongside these case research, Weststeijn situates the dialogue in a broader mental historical past of heritage itself. He traces the origins of key ideas reminiscent of ‘world heritage’ — a time period utilized by the United Nations cultural group UNESCO to designate locations on Earth which might be of excellent common worth to humanity — and reveals how they emerged primarily from Western, Eurocentric frameworks. That is evident in his account of UNESCO’s founding in 1945 after the destruction of cultural monuments and art work in the course of the Second World Battle prompted a world effort to establish, worth and defend such websites. He argues that though this framework has been influential, it might additionally restrict how we perceive and reply to cultural loss in a quickly altering local weather.
One other idea Weststeijn highlights is ‘solastalgia’, a phrase associated to nostalgia, which describes the emotional pressure of witnessing one’s atmosphere change or deteriorate. Utilized by the The Lancet in 2015, it provides a solution to grasp the psychological toll of local weather change, broadening heritage past bodily websites to incorporate lived expertise and a way of place (N. Watts et al. Lancet 386, 1861–1914; 2015).

The Getty Villa, a museum in Los Angeles, California, has been threatened by wildfires.Credit score: Christina Home/Los Angeles Instances/Getty
The dialogue of other conceptions of cultural significance lays the groundwork for a extra nuanced exploration of emotive subjects, reminiscent of adaptive reuse of historic websites, wherein locations is perhaps altered or repurposed to keep up their relevance and to make sure their survival. On the core of those discussions is the troublesome query of which heritage websites must be prioritized for cover as others face imminent loss. “The very idea of heritage is subsequently in want of an overhaul, now that the power handy it on to subsequent generations can not be taken without any consideration,” Weststeijn writes.
Inspiring local weather motion
A recurring theme in Weststeijn’s guide is that tradition and heritage provide a robust lens by way of which to know — and reply to — the local weather disaster. As he suggests, there’s a profound want for “bodily places to which we will connect the tales we wish to inform ourselves”, underscoring the communicative energy of heritage websites in shaping public consciousness and provoking local weather motion.
As emotive locations, cultural heritage websites present a way of continuity and stability in an more and more risky world, which makes their loss all of the extra acute. Though readers outdoors Europe may discover the guide’s deal with primarily European websites to be slim, Weststeijn’s argument that these locations operate as proverbial canaries within the coal mine is persuasive. Their vulnerability acts as an early warning signal of the broader dangers confronted by heritage places globally.

